Entries in Seattle (19)


The Suffers - Tractor Tavern - Seattle, WA

I was first introduced to The Suffers in 2016, when they were the opening act for Lake Street Dive at the Neptune here in Seattle. Now, three years on, they've been criss-crossing the US and globe on a headlining tour, and it's easy to see how and why they've achieved such acclaim in a relatively short amount of time: they put on a killer show.

Hailing from Houston, the 8 member band - fronted by the extraordinary lead singer Kam Franklin - creates a dynamically fresh Soul sound. Imbued with brutally honest lyrics that at turns confront grief, the pressure to conform, and accepting one's flaws, the tracks can't help but make the listener want to dance, as they're always buoyed with uplifting arrangements. Give a listen to "Make Some Room" and "You Only Call" for a nice introduction, and then give their newest album "Everything Here" a spin from front to back. You'll be glad you did.

Tractor Tavern was a wonderful place to see the show, as the intimacy afforded by the 200ish capacity venue heightens the profundity of the songs. And, to be clear, The Suffers won't be playing venues of this size for long: they are destined for arenas in no time at all.

It's worth highlighting, too, Seattle local Whitney Mongé who opened the show. Whitney has a phenomenal stage presence and sound that fits well in the family of Tracy Chapman meets Macy Gray and Kimya Dawson. Listen.



Catch The Suffers on tour here

Photos // Words by Alexander Hallett of Sattva Photo


Capitol Hill Block Party 2017: A Fresh Take 

Sometimes when you go to a festival year after year you get a bit jaded; you know the pace and exactly where to go for who you want to see (which is not a bad thing...) But, there is something about the feeling of not knowing what to expect; taking the time to figure things out and enjoying the initial moment when you walk through the gates that resonates with us all. I think we all chase that feeling of novelty at one point or another. So we decided to send fresh eyes to cover the festival to get a vantage point from a young and less experienced photo journalist who had never been to the Capitol Hill Block Party. We all envy this person…


Being a Capitol Hill Block Party virgin, as I entered the festival I wasn’t entirely sure what to expect. I had heard rumors of its wild and reckless nature, but it wasn’t until I walked through the gates that I realized the glory that is Block Party. Music and of course the "faint" smell of weed and sweat filled the air. Immediately, I knew I wasn't in Kansas anymore!

This siren of a three-day festival erects in the heart of Seattle and it's the best kind of pandemonium. Seattleites from all walks of life congregate in the streets of Capitol Hill, forget all their worries, and let loose to the rhythm of fantastic live music.

From the start, the mainstage was an absolute party. Performances from Danny Brown, Snakehips, and Angel Olsen kept the crowd roaring. Onlookers enjoyed the show from their third story apartment windows and seemed like angels when they tossed popsicles at overheated festival attendees below.

Even security was getting in on the fun, nodding along to the music and keeping the crowd cool between sets. My camera did take an unexpected shower - but hey, that buff hose-wielding security guy was just doing his job.

The Vera Stage kept things fresh, with appearances from the likes of Knowmads, Torres, and Perfume Genius. My favorite performance came from the fabulous Mykki Blanco. Her far from conventional 45 minute set kept the crowd bumping. Things got real when she tore off her wig, jumped offstage, and pranced around the crowd spitting rhymes and grinding on fans. As one does...

As the day progressed and the sun fell, tensions and expectations were higher than ever for the festival's headliner: a little DJ by the name of Diplo. The moment he took the stage, everyone’s inner party animal came out. The crowd turned into an absolute mosh pit. It was impossible not to join in on the party. I’d like to thank the kind fellow who helped me change lenses in the midst of the flailing bodies, I’d be lost without you man.

All in all, Capitol Hill Block party was pure fun, though I am thankful to have made it out in one piece. ‘Till next year!

 Words // Photo by Peter Sullivan


Visible Voice Session with Lucius at the Neptune Theater

Anything that I could write here pales in comparison to the intense and chill inducing vocals of these two gals. Lucius graciously met up with us in the green room at the Neptune theater in Seattle for a session. Make sure you watch this video of "Dusty Trails" and catch them on their tour this summer!

Lucius - "Dusty Trails"

Video By Adam Richert

Photos by Alexander Hallett



Shakey Graves: Live at the Neptune Theater in Seattle, WA ***Newport Folk Festival Preview***

Those who experienced Alejandro Rose-Garcia first as Julie Taylor’s disappointing love interest on Friday Night Lights (Coach: not a big fan) were screaming “THE SWEEEDE” at Shakey Graves’ sold-out show last Thursday at The Neptune. Niche notoriety as an actor seems to have carried seamlessly to Rose-Garcia’s nu-folk stardom—there was a palpable feeling of adoration as he took the stage with just a guitar and makeshift kick drum converted from a worn Samsonite suitcase. Americana is embodied in every way—a Texas flag draped over a synth iconizes the band, jokingly named after an Indian ghost story.

The band is touring their second full-length album, And The War Came, joined by folk quartet The Barr Brothers.

There’s something immediately disarming about Shakey Graves. A lack of pretense, an easy presence, an intimacy with audience that feels both entirely earnest and derivative of a career in acting. I think fans experience an emotional resonance (or purely uplifted) with his sense of sheer joy—through changing sonic poles, he’s visibly, fervently transported. Dude’s here to have fun.

Shakey takes a mathematical approach to songwriting and a live set. The entrancement felt at his shows is intentional; Graves calculates a balance between very loud and very quiet, fast and slow tempos, so that the body and mind engage, leaning into the change. He knows when/how much the audience can accept a sad, slow song. The theater taught him how to read a crowd.

The effect is very much real: high-energy radio hits and soft ballads command almost equal attention. Shakey organically engages the audience. In “Chinatown,” he calls for a collective trumpet solo (see forgiving, endearing gestures of encouragement):

Drummer Chris ‘Boo’ Boosahda and guitarist Patrick O’Conner join Rose-Garcia mid-set, rounding out the one-man band.


Words//Video//Photo by Cassandra Croft

Photos By Adam Richert



Strand of Oaks w/ Christopher Denny - Tractor Tavern - Seattle

Back in 2012 we reviewed the recording of Strand of Oaks "Spacestations" from the Dark Shores album which is the foreplay to to his latest explosive album "Heal." The Album "Heal" has a "radio friendly" quality to it due to its catchy and addictive nature. Make sure to grab this album, it is salty and sweet; you can rock out and dance all at the same time.

Seeing Timothy Showalter aka Strand of Oaks headlining for his first time in Seattle to a sold out crowd was a night that is hard to forget. Every band uses the stage as an outlet, a personal therapy session, and punching bag but this show was an exhalation of relief and contentment. Catch Strand of Oaks near you!


Theres nothing like going to a show to see one band and discovering a new artist. We had the pleasure of seeing Christopher Denny open up for Strand of Oaks! The unique vibrato in his voice and and oldschool charm take you to a different time when things were simple. Although he didnt have a backing band his voice filled the room and held the crowd. Check out Christopher Denny on tour with Strand of Oaks until September 20th.


An Evening With Pete Yorn - The Crocodile in Seattle WA

It's remarkable how a song can be powerful enough to put you through a complete time warp. Pete Yorn’s catalog was the soundtrack to a significant chunk of time in my life (for good and for bad). His songs evoke emotions that directly associate themselves with memories that I cherish or try to forget. Regardless, with Pete Yorn’s music there is no denying that they are all "jams" that will always create new memories and feelings as you hear them.

Wednesday’s show at the Crocodile was a Pete Yorn “super fan” night. No set list, no backing band, just a singer/songwriter taking requests from a room of people who knew every word to every song.

As of late, Pete Yorn has been on a bit of a hiatus from his solo career. He was admittedly a little rusty although it was hard to tell. The mini tour he is on, “An Evening with Pete Yorn”  allows him to get down to his fighting weight and prepare himself for a full tour, hopefully in the near future…to promote a new album? Either way, Wednesday night in Seattle fulfilled that desire to go back to see an artist while they were playing “shows” vs. “concerts.”

Bandstand in the Sky

New York City Serenade -Cover (song by Bruce Springsteen)


Black Prairie with Tiburones - Tractor Tavern - Seattle, WA

 Black Prairie

We were introduced to Black Prairie in 2013 at the Newport folk festival in Newport, RI. Almost a year later we were able to catch them at the beginning of their tour promoting their latest album Fortune. Black Prairie was kind enough to play some songs from Fortune for us behind the venue.

Please be sure to check them out on tour and by streaming their music.

Fortune proves the band has outgrown its roots as a casual side-project of indie folk band The Decemberists, solidifying into a primary, creative focus for its members—a band with its own internal momentum, genuine character and style.  “Making this record was the most collaborative and magical thing,” says founder Chris Funk.  “I’m excited to play these songs live.”

Black Prairie may look like a bluegrass or folk band, but their tastes and repertoire are much more expansive. There is a fierce emphasis on musicianship, Powell says, but otherwise: “They’re genre-less. They’re not afraid of anything. 

The band’s story started in 2007, when Chris Funk gathered local musicians he admired for a chance to write music and play instruments he wasn’t utilizing in his role as guitarist in The Decemberists.  He pulled in fellow Decemberists Nate Query and Jenny Conlee, on bass and accordion, Annalissa Tornfelt on fiddle and vocals and Jon Neufeld (Jackstraw, Doloreon) on guitar, followed later by Decemberists’ John Moen on drums.  Their only ambition was to have fun, but ideas started sparking immediately—they were pushing their own musicianship.

Tiburones was a hidden gem for us! After our session with Black Prairie Chris Funk said “ You’ve got to get this band Tiburones out here and do one of these.” When Chris Funk tells you a band is awesome then you don’t second guess it! Tiburones (Shark) is one of those bands that you hear and you immediately know they have something that most bands don’t. They have a sweet and soulful sound with a charming Latin element to the vocal stylings of Luz Elena Mendoza. Tiburones is on my list of the top bands to look out for in the very near future. 


Daniel G Harmann - Showbox - April 17 (Preview)

Fastback Sessions


Thursday April 17th
@ the Showbox market
$15 in advance / $20 at the door

Spectrum, the Seattle RAW event, is a craft fare, fashion show, art exhibit, rock show all wrapped up into one. Live music, DJs, dancers, and so much more will fill Seattle Showbox for one night highlighting the best Seattle's art community has to offer.

One of those featured artist is singer/songwriter Daniel G Harmann. Harmann is a master craftsman of working class art. With the lyrical depth of Low or the Red House Painters, Harmann constructs “iceberg rock” as powerful as late 90s post punk, & as emotionally honest & deep as melancholy rockers Jimmy Eat World, Idlewild, or even Fugazi. Harmann's songs draw the listener in with their dark & smoky feel, while escorting you through life's landscape of pain & redemption in a way only a trusted friend can.

Fastback Sessions #3 - "& Yet"

The Fastback Sessions is impressively (yet not surprisingly) maintaining their momentum. It's refreshing to watch this grassroots force give a multi-dimentional platform that has no agenda but to support fresh music. Although Seattle holds it's place in the world of music there is a lack of warmth and romanticization within the community. The Fastback Sessions is attempting to take back what the hipsters have stolen.

The band "& Yet" gracefully performed for the 3rd round of the Fastback Sessions. Every song sounds like it could be the soundtrack for a dark indie film that leaves you questioning aspects of life but never gives an answer. Their refined sound evokes thought and emotions with true substance from heart. 

Enjoy an interview and video of "& Yet" by the Fastback Sessions below!

Photos//Words by Visible Voice

Video by the Fastback Sessions