Indie acts invade Providence

As team Visible Voice gears up for the Newport Folk Festival, we'd be remiss if we didn't highlight a few Providence shows worthy of your attention.

On Wednesda July 20, Boston-based Marissa Nadler re-visits Providence, bringing both a new record and a full band. Her eerie, gothic folk will ring like a church bell through Aurora. Expect large swaths from her excellent new album and a sizeable crowd. Arrive early if you would like to see the stage, but no doubt Nadler's voice will fill the room. Tickets at the door. 

Next Thursday, Unknown Mortal Orchestra cruise into Providence's Fete Lounge. The band's multi-instrumentalist front man Ruban Nielson could very easily have replicated the sounds (and successes) of their earlier works, but his constant tinkering - and newfound appreciation of synthesizers - made Multi-Love (Jagjaguwar) one of the best records of 2015. The band's danceable disco rhythms belie the complicated subject matter of co-existing in a relationsihp. but something tells me that won't matter on July 28. It will be a party. Get your tickets here

Looking a bit further ahead, Big Thief comes to the Columbus Theatre for an intimate and most likely excellent show. The Brooklyn band's Masterpiece has raced to the top of my Spotify playlist, as singer Adrianne Lenker's lithe voice and personal lyrics weave seamlessly with the band's full breadth. Here's to hearing gems like "Paul" in person. Cop tickets here.  



Capitol Hill Block Party’s 20th anniversary July 22-24 

If you haven’t heard, it’s almost time for the Capitol Hill Block Party in Seattle!

Every year people swarm the streets of Capitol Hill filling all the nooks, crannies, venues and dives for a common cause...sweat, beer, and good music.

Dont miss out on the festivities.

Get your tickets Here!



The Felice Brothers - "Life in the Dark" ***Album Release*** ***Visible Voice Session***

With the way things are going in the world these days, we can at least take solace in the fact there’s a new Felice Brothers record. Life in the Dark, out June 24 on Yep Roc records, is Americana music perfect for today’s fitful America. The band sounds cynical, weary, but wise - and mostly grinning through it all.

The record springs to life with “Aerosol Ball”, a lively tune that sounds positive if it were not dripping with dystopian lines. And even if things are dire, the band seems to point out silver lining. On the album’s title track for example, Ian Felice uncoils lines like “They’re burning the heretics again / it’s awfully bright.”

Felice’s forked tongue is still in cheek on “Jack at the Asylum” when he toasts the country for all of it’s grandeur but also it’s ugliness.  “I’ve seen your pastures of green / the crack whores. The wars on the silver screens.” But things get more earnest on the album’s standout track “Triumph ‘73”, a four minute goodbye to a lost lover with a town in the rearview mirror, told from a solitary rider on a speeding motorcycle.

Which is not to say the album is devoid of fun. Throughout the record, the band’s snide smiles and perky instrumentation keep the whole affair afloat. “Dancing on the Wing” is a jam, even if the plane happens to be going down. “Sally” is a 90-second (mostly) instrumental stomper.

On the whole, the record is a keeper. Its lyrics reward repeat listens and the tunes rattle around between the ears after the album stops. It’s a poignant reminder that our time is running out, which sucks, but all the more reason to have fun along the way.

PreOrder "Life in the Dark" and Catch the Felice Brothers on  tour!



Words by Brian Hodge

Video by Adam Richert & Maurice Morales


The Cactus Blossoms - Album Review & Visible Voice Session

***Newport Folk Festival Preview***

We met up with The Cactus Blossoms before their show with Pokey Lafarge at the Tractor Tavern for a session. With sea planes overhead and the smell of the sea air on a Seattle afternoon, you could not ask for more. I personally can't wait to see them at the Newport Folk Festival this summer!

One thing you'll notice when you listen to “You're Dreaming” by The Cactus Blossoms is that there isn't one second of wasted space. Songs are played out from beginning to end with a confident assurance that belies the ages of Jack and Page, the two Minneapolis-born brothers. With the songwriting sensibilities of Dolly Parton meets Bob Dylan, and pitch-perfect harmonizing that's reminiscent of brother duets like The Everly Brothers, The Cactus Blossoms are sure to be a household name in a small matter of time. “You're Dreaming” is their first big foray into the public sphere (touring aside), and it positions them well for future releases and a growing fan base.

“Stoplight Kisses” kicks off the album on a nostalgically upbeat note, and sounds like it could easily have fit into the catalog of Bob Dylan with a little Beach Boys influence. The lyrics are straightforward, but this song is about the vibe, and it makes me want to experience the place they create in this 2-minute track.

The title track, “You're Dreaming”, keeps the mood consistent, and the harmonizing between the two singers is excellent. The relaxed guitar and loose drums serve as the perfect bedrock for their voices, and the lyrics "I'm not sleeping, I'm not walking. And you can't hear my talking when your eyes are closed" help evoke the dreamlike atmosphere that permeates the beautifully concise 34-minute album.

The Cactus Blossoms - You're Dreaming

The instrumentation over the course of the 11 tracks is intentionally minimal - vintage guitars, upright bass, tight kit drums. It's a vehicle for the brothers' voices to glide effortlessly along from one song to the next. The album plays out as almost a full tale of love. From the upbeat beginning of the title track and “Clown Collector”, to the the darker territory of “Powder Blue” and “Change Your Ways Or Die”, and the catharsis of “No More Crying the Blues” and “Adios Maria”, the real star is the effortless vocal union between the two brothers.

The Cactus Blossoms - Clown Collector

By the time “Traveler's Paradise”, the album's final track, drops, the brothers sing, "Goodbye, sure is good to know you. I'm so thankful for you." It's the perfect close to a beautifully melancholic journey that floats along as easily as a summer breeze, and it's such a smooth listen that you'll be hard pressed not to press play again the moment it's over.


Words by Alexander Hallett

Video by Jorge Gonzalez

Video editing by Adam Richert


Visible Voice Session with Lucius at the Neptune Theater

Anything that I could write here pales in comparison to the intense and chill inducing vocals of these two gals. Lucius graciously met up with us in the green room at the Neptune theater in Seattle for a session. Make sure you watch this video of "Dusty Trails" and catch them on their tour this summer!

Lucius - "Dusty Trails"

Video By Adam Richert

Photos by Alexander Hallett



Matthew Logan Vasquez - Visible Voice Session 

***Newport Folk Festival Preview***

We met up with Matthew before his show at Barboza in Seattle for a very quick session that ended abruptly with an employee changing the bags in a trash can. Unpredictability is the beauty of doing impromptu, on site sessions. Matthew was very gracious and offered a bit of comedic relief during the songs “Personal” and “Halfcolt.”

The chorus for Matthew Logan Vasquez’s “Personal” sounds a bit like a Delta Spirit tune, with its sustained chords and thrashing guitars. But it’s chorus sounds, well, personal.

“Don’t you get it? It’s not personal. / I gotta strike out on my own,” he sings on his new record, Solicitor Returns (out now on Devil Duck Records).

Armchair psychiatrists could read into that as a portrait of an artist staking out a solo career in spite of popular success with his band. But as it turns out, the guy just writes a crazy amount of songs.

“We take Delta Spirit records really seriously, where we rebuild the wheel every time. We really want to make sure the next record is great,” he told NPR. “I’ve wrote all these other songs I’m extremely passionate about and had to release. The guys understood and they’re very nice to let me do it.”

With so much material to choose from, the album is surprisingly tight, nimble if a bit restless. The 10-track record is stacked with catchy tunes and crisp guitar, broaching a wide range of topics and timbre. “Everything I Do Is Out” is a grungy, sweaty stomp on what it means to be out of step with what’s cool. “I Bet It All” is a countrified Beatles B-side while “Bound to Her” smolders like a true-crime confession, sort of a sonic Nashville-meets-noir.

The constant amidst the swirling stacks of riffs remains Vasquez and his piercing voice. It might be his best instrument, which is saying something as Vasquez played nearly every instrument on the record. Passionate, fiery, with just the right amount of fray, it’s Vasquez’s voice that propels the records in its brightest moments like the eerie atmospheric album closer “Muerte Tranquila” and the aforementioned

“Personal”. Long a hallmark of Delta Spirit and Middle Brother’s finest moments, turns out it’s just as good on it’s own.



Photo/video by Adam Richert

Words by Brian Hodge


The Wild Reeds - Visible Voice Sessions - At the Triple Door

We met up with these lovely gals right before their show in the green room at the Tripple Door in Seattle. The Wild Reeds are a thresome from Los Angeles that can really wail! They have beautiful harmonies, a banjo, and a vibrant stage presence that keep you wanting more, what else do you need!? On top of all of that they were gracious enough to sit down and play a few songs for us:




Mutual Benefit returns with new single, tour

It was to our delight to get word of new material from Mutual Benefit, the sometimes sprawling collective or occasional one-man band helmed by Jason Lee. Their debut album Love's Crushing Diamond soundtracked much of the past two icy winters, with its glittering soundscapes and gentle melodies complimenting melting snow and dripping icicles. 

The first sounds from Mutual Benefit's new album are still gentle, but ultimately uplifting. "Not For Nothing," and its beautifully illustrated video, speak of the earnestness of the moment, the precious present. All of which portend well for the new album, Skip A Sinking Stone, due out May 20. If you can't wait that long to hear new material - and we don't blame you - check out the band on tour. They play Providence's Columbus Theater on March 13. Tickets are available here

Words by Brian Hodge


Wussy - at El Corazon / Funhouse

Seeing Wussy [Trio] at  El Corazon/ Funhouse) in Seattle Thursday night can be best likened to happily paying to watch your best friends rehearse. Chuck Cleaver (guitar/vocals), Lisa Walker (guitar/vocals) and John Erhardt (pedal steel/guitar) played their hearts out, and the audience opened their own hearts to them. If you’ve never heard of Wussy, they’re (usually) a five piece band and they describe themselves as “bridging the gap between The Band and Sonic Youth.” The Wussy [Trio] went on tour this month to promote their new record Forever Sounds (available March 4th), and they promised the full band will be back in Seattle this June.

With only three band members, Wussy couldn’t play songs like “Dropping Houses” from the new record or any of their signature loud, Sonic-Youth-style songs without Mark Messerly (bass, keys) and Joe Klug (drums). Before the show I overheard Chuck Cleaver saying “we’re gonna play the stuff that will sound good.”

This was definitely the quietest Wussy show I’ve ever been to, but also one of the most endearing. Wussy is always very open and honest when they’re on stage, and this show was no different. They told us after the first song that they hadn’t solidified their new arrangements before the show, and they were delightfully self-deprecating about it. At one song break as Chuck Cleaver was tuning his guitar, Lisa Walker joked that that was new for them. Their self-deprecation combined with the gorgeous yearning in their harmonies and hilariously poignant lyrics like “Ever since I was young / I’ve expected to die” from “Hello I’m a Ghost” off of the new record will make you fall head over heals for this band.


Words by Sophie Pattison

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